What Giordano Cabral researches, in what order, and what has come out of each line

1. Agentic artificial intelligence and organizations — FAROL · 2025–. Measuring how organizations and people work with AI that carries out entire tasks; the six-axis scale, the AI Index for SMEs, the open instruments and the Arena das IAs (2026).

2. Real-time accompaniment and harmonization generation · 1999–2015, resumed in 2021. From D'Accord Guitar (2001) to the dissertation Harmonisation automatique en temps réel (2008) and to Ramin; the demonstration at IJCAI 2015 with Sony CSL; Brazyle (2017).

3. AI-based audio analysis: music information retrieval · 2005–2019. The validation of EDS in chord recognition (ISMIR 2005), HarmIn (2007), audio monitoring for public safety at UFRPE and the MIREX evolution index (ISMIR 2016).

4. Digital musical instruments and MusTIC · 2011–. Sketchument, Illusio, the prototyping method and toolkit (the most-cited work in the record), the two patents, TumTá and Pisada.

5. Games, decision-making and social dilemmas · 2013–. The Decisores Virtuais (Virtual Deciders) project on computational decision models, the PsyFun group and the two games validated as a prisoner's dilemma for children.

6. Multimedia, computer vision and mixed reality · 2005–. From the framework for percussive systems (2005) to computer vision for diagnosis and motion analysis, and to the mixed-reality protocol on laptops with Voxar Labs (2022).

7. Education and educational technologies · 2008–. Turma do Som, the Ática textbook, games and virtual reality in schools, gender-sensitive computational thinking, the postdoctoral fellowship at Stanford and the survey of how students work with AI.

• FAROL — created in 2025 with Filipe Calegário, at CIn/UFPE; it is not on the Center's official list of groups. It measures the fluency of organizations and people in agentic AI. farol-ia.org
• MusTIC — Music, Technology, Interactivity and Creativity, a CIn/UFPE research group created in 2011, coordinated by him together with Geber Ramalho and Filipe Calegário. It is on the Center's official list of groups. mustic.cin.ufpe.br
• PsyFun — digital games for cognitive psychology. Started by him at UFRPE in October 2013; today it is based between CIn/UFPE and UNIVASF, with Guilherme Ribeiro Eulálio Cabral.
• Voxar Labs — a virtual and augmented reality laboratory at CIn/UFPE, directed by Veronica Teichrieb, with which he collaborates. voxarlabs.cin.ufpe.br

Cooperation with France has been continuous since 2001: the Smart-es project (UFPE × Université Paris VI, 2001–2004, led by Geber Ramalho), the doctorate at LIP6 with Jean-Pierre Briot and François Pachet (2003–2008), the committees at IMPA with both (2009 and 2010), Briot on Eduardo Santos Silva's committee (2022), and the three texts on AI in Brazil deposited in HAL in 2024. With the United States: the postdoctoral fellowship at the Lemann Center, at Stanford (2023–2024), and the team of the Preparing Brazil's Youth project, from Stanford Impact Labs (2025). With Canada and France, co-authorships with Marcelo Wanderley (McGill) and Stéphane Huot (Inria) between 2015 and 2017. He was a member of the Advisory Board of the European project PRAISE (FP7, 2012–2014) and a reviewer of CNPq projects in 2011, 2012, and 2013.

At the Brazilian Computing Society: SBCM technical committee in 2007, 2009 and 2011, technical committee chair in 2013, local organizer of the 12th SBCM (Recife, 2009) and general chair of the 18th (2021, with Filipe Calegário); steering committee of the Special Committee on Computer Music from 2011 to 2014; ICMC 2010 technical committee.

Counts from the Lattes summary table (August 19, 2026), supplemented by the CIn portal and citation databases on September 24, 2026. Production output begins in 2001; the survey conducted for this site consolidated 88 unique works.

The profile is split across three identifiers on Semantic Scholar and three on OpenAlex; ORCID 0000-0003-4192-7446 exists and is empty.

Lattes describes the lines with a vocabulary that predates current practice. The six formally registered research lines all predate 2014, and each one is tied to a position: Processamento de sinais (Signal Processing) and Recuperação de Informação Musical (Music Information Retrieval) (Daccord, 2008–2010); Artificial Intelligence — Musical Interaction (Sony CSL Paris, 2003–2006); Audio Monitoramento para Segurança Pública (Audio Monitoring for Public Safety) (UFRPE, 2010–2014); and two entries from the same CNPq Productivity in Technological Development grant (2011–2014). After 2014 there is no formally registered line: education, games, and agentic AI appear as project, output, and advising. The most frequent keywords in the registered output are Computação Musical (38 occurrences), Educação Musical (Music Education) (17), Jogos Digitais (13), Processamento de Áudio (Audio Processing) (11), Artificial Intelligence (7), and Real-time Interactive Systems (3).

From the institutional Drive, retrieved on September 18, 2026.