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Giordano Cabral

Press · 2003 → 2026

Press and awards

What was published, from the software exported in 2003 to the AI experiments of 2026. Each line gives the date, the outlet, and the link.

Noticeboard with a slightly uneven grid of blank cards held by pins; a single red card.

The earliest article is from June 2005, about an entrepreneurship competition in Campina Grande; the most recent is from July 2026, about 124 artificial intelligences that lost a prediction pool to a human. Items that could not be confirmed are listed at the end, with the reason.

01 · Press

Awards

Most belong to the company. D'Accord received recognition at the FINEP Innovation Award four times between 2007 and 2012 — third place, second place, and two wins in the Northeast regional round. The two paper awards, in 2007 and 2019, are from symposia in the field.

  • 2005 — National Young Entrepreneur Competition (Cojem), Softex. D'Accord Music Software in Campina Grande. Jornal do Commercio, Computing section, June 8, 2005, reproduced at https://web.archive.org/web/20070728231726/http://www.daccord.com.br/noticia.php?idNoticia=7 (Wayback, snapshot from September 3, 2006).
  • 2006 — Santander Innovation / Entrepreneurship Award, Technology category. Awarded to D'Accord Music Software for iChords, then a prototype, in the second edition of the award, with more than a thousand projects entered; ceremony on November 29, 2006, at Palácio dos Bandeirantes. Lattes "Awards and honors" (pesquisa/lattes-2026-09-13.pdf), and the company's bulletin board at https://web.archive.org/web/20080101020805/http://www.daccord.com.br/noticia.php?idNoticia=12 (Wayback, May 17, 2007).
  • 2006 and 2007 — Epsilon Award nominations, European Software Conference. Two nominations in 2006 (Violão Master and Dicionário de Acordes 3.0) and one in 2007, for D'Accord. Lattes and https://web.archive.org/web/20080101020755/http://www.daccord.com.br/noticia.php?idNoticia=11 (Wayback, May 17, 2007).
  • 2007 — 3rd place in the FINEP Technological Innovation Award, Small Business category. D'Accord Music Software.
  • 2007 — Best Student Technical Paper Award at the Brazilian Symposium on Computer Music (SBCM). For the HarmIn paper by Giordano Cabral (LIP6, Paris 6) and Robert Willey. The CV lists the award without naming the paper, and he coauthored two at the 11th SBCM: "Analytical Features to Extract Harmonic or Rhythmic Information" and "Analyzing Harmonic Progressions with HarmIn"; the symposium's official page resolves the ambiguity: https://compmus.ime.usp.br/sbcm/2007/portugues/index.html. The 11th SBCM took place in São Paulo, September 1–3, 2007.
  • 2008 — 2nd place in the FINEP Technological Innovation Award, Small Business category. D'Accord Music Software. That same year, the company received R$ 1.68 million from FINEP's Economic Subsidy Program. Agência Sebrae de Notícias and FAPEMA, October 28, 2009.
  • 2009 — 1st place in the FINEP Technological Innovation Award, Small Business category, Northeast regional round. The ceremony took place on November 16, 2009, at Instituto Ricardo Brennand in Recife; the company advanced to the national round in December. Company blog, November 17, 2009: https://daccordmusicsoftware.blogspot.com/2009/11/daccord-ganha-premio-finep-de-inovacao.html
  • 2009 — finalist in the Dell Technology Excellence Award. One of ten finalists, according to the company blog, July 30–31, 2009.
  • 2011 — Second place in the Entrepreneur of the Year Award, INFO Exame magazine. The archived voting page confirms the nomination, alongside Gustavo Caetano (SambaTech), Marco Gomes (boo-box), Romero Rodrigues (Buscapé), Breno Masi (FingerTips) and Diego Reeberg (Catarse); the final ranking appears only in the CV. http://info.abril.com.br/premioinfo/2011/pesquisa.shtml (Wayback, October 25, 2011).
  • 2012 — winner of the Northeast regional stage of the FINEP Innovation Award, Small Business category, with the Turma do Som and Saiba+ Enem projects. Daccord Music Software, among 81 entries in the region and 13 Northeast finalists. It was the company's second win in the award — the first was in 2009 — and the 15th edition received 588 project entries, 56% more than in 2011. The list of regional-stage winners appeared in the January 2013 issue of Brasileiros magazine (pp. 112–113), hosted by FINEP itself; in the same material, the list of that year's twelve national-stage winners does not include the company. Article on the Mundo Bit blog, on the NE10 portal, October 18, 2012: http://web.archive.org/web/20130127020752/http://blogs.ne10.uol.com.br/mundobit/2012/10/18/pernambucana-daccord-vence-premio-finep-de-inovacao/ and http://download.finep.gov.br/noticias/RevistaBrasileirosPremioFinep2012.pdf.
  • 2019 — best paper at the 17th Brazilian Symposium on Computer Music. "TumTá and Pisada: Two Foot-controlled Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions", by João Tragtenberg, Geber Ramalho, Giordano Cabral, and Filipe Calegario, all from MusTIC. The symposium took place on September 25–27, 2019, in São João del-Rei. https://portal.cin.ufpe.br/2019/10/03/mustic-recebe-titulo-de-melhor-artigo-do-17o-simposio-brasileiro-de-computacao-musical/
News item on the CIn-UFPE portal about the paper
News item on the CIn-UFPE portal about the paper "TumTá and Pisada", awarded best paper at the 17th SBCM (October 3, 2019)
D'Accord/MusiGames team on the evening of the 2009 FINEP Innovation Award ceremony at Instituto Ricardo Brennand
D'Accord/MusiGames team on the evening of the 2009 FINEP Innovation Award ceremony at Instituto Ricardo Brennand
Cover of FINEP's Revista Inovação em Pauta, issue 8 (2010), featuring the article about the 2009 award winners
Cover of FINEP's Revista Inovação em Pauta, issue 8 (2010), featuring the article about the 2009 award winners

Sources: Lattes CV (PDF dated September 13, 2026, "Awards and titles"); CIn-UFPE portal; D'Accord/MusiGames website and blog on the Wayback Machine.

02 · Press

The credit on the album "Hello World"

"Hello World", directed by SKYGGE (Benoît Carré) and released in 2018, is the first album composed using the Flow-Machines system, developed at the Sony Computer Science Laboratory in Paris and at Université Pierre et Marie Curie under the direction of François Pachet — who was his doctoral co-supervisor. The credits page has three separate lists, and his name appears on one of them.

  • He is not among the album's artists or on the Flow-Machines research and development team, whose members the page names individually.
  • He is listed by name in the acknowledgments ("Thanks also to"), alongside Jean-Pierre Briot, his doctoral supervisor, and Geber Ramalho, on the album's credits page.
  • The company he founded states on its own page that the Brazilian music database it created "is used in the Flow Machines project" (https://www.daccord.com.br/quemsomos/). This database is Brazyle (2017), which AESO-Barros Melo described on October 19, 2017, as the regional counterpart to Flow Machines, coordinated by him. No source says that Brazyle was used on the album: they say it is used in the project.
  • In an article dated June 15, 2023, CESAR — of which he was president — reports that in 2016 he followed the preparation of "Daddy's Car", the first pop song co-written by AI, with Pachet and Briot, and states that he later joined the project that led to the album. No other source states that he participated in the album's development, and this account comes from the institution he led: O design impulsionado pela IA generativa.
Credits page for
Credits page for "Hello World": Giordano Cabral appears in the acknowledgments, not on the research team or among the artists

Sources: https://www.helloworldalbum.net/apropos-hello-world/; https://www.daccord.com.br/quemsomos/; https://uniaeso.edu.br/noticia/inteligencia-artificial-na-musica; https://www.cesar.org.br/pt/w/o-design-impulsionado-pela-ia-generativa.

03 · Press

2024–2026

Since 2024, the coverage has largely focused on the same topics: the World Cup prediction pool, the TEDx talk on education, and ActuIA's dossier on artificial intelligence in Brazil.

g1 Pernambuco article on the AI prediction pool created at CIn-UFPE (June 14, 2026)
g1 Pernambuco article on the AI prediction pool created at CIn-UFPE (June 14, 2026)
Retrospective on Porto Digital's CAIS podcast, published by Jornal Digital in May 2024
Retrospective on Porto Digital's CAIS podcast, published by Jornal Digital in May 2024
CIn-UFPE portal article on the results of Bolão das IAs, in July 2026
CIn-UFPE portal article on the results of Bolão das IAs, in July 2026
Folha de Pernambuco article on the prediction pool created at CIn-UFPE, in June 2026
Folha de Pernambuco article on the prediction pool created at CIn-UFPE, in June 2026
Opening graphic for the CIn news article on the experiment with 124 AI models
Opening graphic for the CIn news article on the experiment with 124 AI models
Opening graphic for the CIn news article on the launch of Bolão das IAs, with 122 models
Opening graphic for the CIn news article on the launch of Bolão das IAs, with 122 models
Seminar graphic
Graphic for the "AI in Research and Innovation" seminar, organized by CIn-UFPE with Propesqi (2025)
Graphic for the news article on Demoday Projetão 2024.2 (April 2025)
Graphic for the news article on Demoday Projetão 2024.2 (April 2025)
Graphic for the news article on the Awesome Generative AI repository (June 2024)
Graphic for the news article on the Awesome Generative AI repository (June 2024)
Artwork for the World Creativity and Innovation Day celebration at CIn-UFPE (2024)
Artwork for the World Creativity and Innovation Day celebration at CIn-UFPE (2024)

Sources: CIn-UFPE portal; Folha de Pernambuco; g1; CESAR; Grit Daily; HAL records hal-04663796, hal-05177748 (ActuIA no. 16, July 2024).

04 · Press

2019–2023

Five years spanning CESAR, MusTIC and the Criatividade Computacional course, with two articles I authored — one in Grit Daily, the other on the institute's website.

Graphic for the news article about the Criatividade Computacional course and its generative AI projects (2023)
Graphic for the news article about the Criatividade Computacional course and its generative AI projects (2023)
Graphic for the news article about the Rádio Jornal program on generative AI (2023)
Graphic for the news article about the Rádio Jornal program on generative AI (2023)
Graphic for the news article about the launch of the iChords app at the Porto Digital cinema (2023)
Graphic for the news article about the launch of the iChords app at the Porto Digital cinema (2023)
News article about the inauguration of the new Alumni CIn board in October 2022
News article about the inauguration of the new Alumni CIn board in October 2022
Graphic for the news article about the participation of MusTIC and Voxar Labs in the opera Auto da Compadecida (2022)
Graphic for the news article about the participation of MusTIC and Voxar Labs in the opera Auto da Compadecida (2022)
Graphic for the news article about Computação Musical being offered as an undergraduate course (2021)
Graphic for the news article about Computação Musical being offered as an undergraduate course (2021)
Graphic for the Chord Detection Challenge, a challenge held with the Moises.ai platform (2021)
Graphic for the Chord Detection Challenge, a challenge held with the Moises.ai platform (2021)
Graphic for the CIn-UFPE podcast about the IT market (2021)
Graphic for the CIn-UFPE podcast about the IT market (2021)
Graphic for MusTIC's sixth livestream, about three decades of the NICE movement in Pernambuco (2020)
Graphic for MusTIC's sixth livestream, about three decades of the NICE movement in Pernambuco (2020)
Graphic for MusTIC's first livestream, about the future of live performances (2020)
Graphic for MusTIC's first livestream, about the future of live performances (2020)

Sources: CIn-UFPE portal; Porto Digital; CESAR and CESAR School; Grit Daily; Música & Mercado.

05 · Press

2014–2018

The early years at CIn, after taking up his faculty appointment as professor adjunto in 2014.2: a game jam, course showcases, teacher training at Prof-Lab and the talk on Flow Machines in Olinda.

AESO-Barros Melo news article about the October 2017 lecture on artificial intelligence in music
AESO-Barros Melo news article about the October 2017 lecture on artificial intelligence in music

Sources: CIn-UFPE portal; AESO-Barros Melo (October 19, 2017).

06 · Press

2006–2013

The company years. Press coverage focused on software exports, mobile games and music in schools — from a profile in Diário de Pernambuco in 2006 to the Exame feature in 2013.

  • April 4, 2013 — Os nerds da educação online estão contratando · Exame · About the educational technology market; Daccord is featured with Turma do Som in schools across six states and serving 5,000 students, and he is quoted as a founding partner: "we are receiving requests to develop new applications for basic education".
April 2013 Exame article about the online education market, featuring Daccord and Turma do Som
April 2013 Exame article about the online education market, featuring Daccord and Turma do Som
  • December 4, 2012 — Softwares potencializam ensino de música nas escolas · Instituto Claro (Aline Aurilli) · About Turma do Som, incubation at RecifeBEAT (CIn/UFPE), and the headquarters at Porto Digital, with interviews with him and music teacher Rostan Junior, from Instituto Peró. His statement: "some schools have only one music class per month, and technology allows students to use this time to immerse themselves more deeply in the subject" — and, in the same text, "learning requires dedication, and you need to practice a lot". The article notes the availability of remote or in-person teacher training.
  • October 18, 2012 — Pernambuco-based Daccord wins the Finep Innovation Award · Mundo Bit blog, NE10 portal (Sistema Jornal do Commercio) · Reports that the company won in the Small Business category with the Turma do Som and Saiba+ Enem projects, that this was its second win, and includes his statement: "we believe we can improve the world. We innovate in something so traditional, so important: education". The original URL redirects to the homepage; the text is available in captures from January 27, 2013 and April 14, 2021, with conflicting bylines — hence the listing of the outlet and date, but not the author.
  • March 15, 2013 — Grupo de pesquisa do CIn, MusTIC, pretende inovar em tecnologia musical · CIn-UFPE Portal · First news report about the group, established in 2011 through a partnership between Geber Ramalho and him, then described as an alumnus and founder of D'Accord.
  • February 20, 2013 — Grupo de Pesquisa do CIn promove oficina sobre o Software Isadora · CIn-UFPE Portal · MusTIC workshop on real-time audio and video manipulation.
  • April 9, 2011 — Drums Challenge coming soon on PlayStation Minis · AFJV (France) · Port of the MusiGames game to PSP and PS3, with Sanuk Games.
  • January 13, 2011 — Playful Musical Puzzle Apps From MusiGames · The Creators Project / Vice · Profile of the games iMusic Puzzle, Drums Challenge, MixBox Baile Funk and Throat Detonator.
  • May 26, 2010 — "MusiGames lidera downloads do iPad" · Jornal do Commercio · The drumming game ranked first in iPad downloads; the company had 28 employees.
  • April 12, 2010 — Desenvolvedora brasileira MusiGames Studio lança jogo de bateria para iPad · MacMagazine · Launch of Drums Challenge HD.
  • February 26, 2010 — "Eles fazem diferente" · Época Negócios · Report on the company, reproduced on the news page of the D'Accord website.
  • February 10, 2010 — "D'Accord recebe aporte de mais de R$ 1 milhão" · Jornal do Commercio · Investment from Fundo Criatec (BNDES).
  • February 2010 — Inovação em Pauta magazine, no. 8 · FINEP · Article on the winners of the 2009 FINEP Award.
  • October 28, 2009 — "Empresa exporta software musical para 85 países" · Agência Sebrae de Notícias · Company profile: origins in the CIn incubator in 2000, software developed from a master's thesis, R$ 1.68 million from FINEP in 2008, and team growth from 10 to 23 people.
  • October 28, 2009 — Empresa pernambucana faz sucesso com jogos para iPhone · FAPEMA · The same report, focusing on MusiGames games.
  • October 22, 2009 — CIn-UFPE realiza palestra-show sobre "Novas tecnologias para a música" · CIn-UFPE Portal · Talk "iPhone, iPod, iWhatElse? Music computing goes portable", on October 28, 2009, at Núcleo de Gestão do Porto Digital, alongside Geber Ramalho, Jarbas Jácome and François Pachet.
  • August 19, 2009 — Edge magazine · Mention of MusiGames in the British gaming magazine, recorded on the company's blog.
  • January 19, 2009 — "Bateria virtual do Recife para o mundo" · Pequenas Empresas & Grandes Negócios · Report on Drums Challenge.
  • October 1, 2008 — Jornal do Commercio · On the nomination of a company partner for the British Council's International Young Creative Entrepreneur award.
  • January 4, 2006 — "Vendedor 24 horas" · Diário de Pernambuco · The company recorded 30,000 downloads per month, six years after its founding.
  • June 8, 2005 — "CIn e D'Accord saem vitoriosos do Cojem" · Jornal do Commercio, technology section · Win at the Concurso Nacional Jovem Empreendedor, in Campina Grande.
  • undated (2006 or earlier) — O Globo ("Em sintonia com o mercado de música"), O Estado de S. Paulo ("Professor de música virtual") and Folha de S.Paulo ("Softs de música levam estúdio para casa") · Articles listed on the company's website press page, with no dates or links in the archive.
News item from the CIn-UFPE portal about the lecture-performance
News item from the CIn-UFPE portal about the lecture-performance "New technologies for music", held in October 2009
Headline from the Mundo Bit blog on NE10 about Daccord's win at the Finep Innovation Award (October 18, 2012)
Headline from the Mundo Bit blog on NE10 about Daccord's win at the Finep Innovation Award (October 18, 2012)
Opening of the Instituto Claro article on software for music education in schools (December 4, 2012)
Opening of the Instituto Claro article on software for music education in schools (December 4, 2012)

Sources: CIn-UFPE portal; D'Accord/MusiGames website and blog on the Wayback Machine (captures from 2006, 2007, 2009, and 2012, and posts from 2009–2010). The articles from O Globo, Estadão, Folha, Jornal do Commercio, Época Negócios, and PEGN were read only as reproduced on the company's own website; the originals are not online.

07 · Press

Talks and public events

Talks with documented dates and public programs. Between 2009 and 2014, most were at music education gatherings and trade fairs; from 2017 onward, they focused on artificial intelligence.

DateEventRole
2009SATI — IT Academic Week, CIn-UFPETalk "Computing for Musical Interaction"
200912th Brazilian Symposium on Computer MusicTutorial "Computação Musical and Video Games" (Lattes)
2009Feira Música BrasilTalk "Music Education Software" (Lattes)
2009Computing and Music Workshop — Year of France in Brazil, Recife and RioTwo talks: "Computing Goes Portable" and "iPhone, iPod, iWhatElse?" (Lattes; program archived at cin.ufpe.br/~fb09)
2010ExpoideaTalk "Musical Games and Education" (Lattes)
2011Music, Technology and Education ForumWorkshop "Music, Technology and Education" (Lattes)
2011ABEM Northeast Regional MeetingShort course "Music Education with Technology" (Lattes)
201212th ABEM Central-West Regional MeetingConference speaker (Lattes)
2013Porto Musical 2013Symposium speaker, "How digital interactive technology can change the music industry" (Lattes)
201431st ISME World Conference"Dealing with Challenges in Music Education through Active Music Making" (Lattes)
29–30/10/2018FIC 2018 — Festival of Interactivity and Communication, Teatro Unisinos, Porto Alegre; edition dedicated to artificial intelligenceConfirmed speaker, described in the program as "the Brazilian bridge to the European Flow Machines project" (program, October 1, 2018)
05/11/2019HSM Expo 2019, São Paulo — panel "The world on platforms"Speaker representing CESAR, alongside executives from two digital platforms (program, October 19, 2019)
27/04/2021Podcast CAIS, Porto Digital — debut episodeInterviewed about artificial intelligence
10/05/2022Conexão Porto Digital — streaming and music technologyGuest
28/10/2009Lecture-performance "New technologies for music", NGPD, Bairro do RecifeTalk "iPhone, iPod, iWhatElse?"
2009–2012Feira do Empreendedor 2009, Game Connection 2009, Macworld 2010, Nokia World 2011, BETT Show 2011 and 2012Presentation of the company's products
26/10/2017AESO-Barros Melo, OlindaTalk on AI in music and Flow Machines
02/10/2019REC'n'Play 2019, Auditório Roberto Monteiro (Softex)Talk "Creative Machines"
23/05/2019Meeting of Music and Technology Creators, PortomídiaOpening panel
26–29/05/2020SEMSIS — UFRPE Information Systems Week"A conversation with entrepreneurs"
2021CIn-UFPE podcast, three episodes on the IT marketGuest
25/02/2022Voxar Up, first editionGuest
2022REC'n'Play, 4th editionTechnology track curator
01/02/2023Rádio Jornal 90.3 FM, Debate da Super ManhãPanelist discussing generative AI
11/04/2023Announcement of CESAR's operations in PortugalStatement as chair of the board
12/12/2023HSM+ / Learning VillagePresentation of the book for which he wrote the foreword
12/08/2025Seminar "AI in Research and Innovation", CIn-UFPE and PropesqiEvent hosted by the Center; MusTIC among the groups mentioned
27–28/08/2026REC'n'Play Saúde, Bairro do RecifePanelist, "How to learn, teach, and assess in the age of AI"
SATI talks page at CIn-UFPE, featuring the presentation on computing for musical interaction (2009)
SATI talks page at CIn-UFPE, featuring the presentation on computing for musical interaction (2009)

Sources: https://www.cin.ufpe.br/~sati/palestras.html; CIn-UFPE portal; Porto Digital; CESAR; Lattes CV (Escavador mirror, March 3, 2026) for the 2009–2012 fairs. The 2026 items appear in internal records, with no public page.

08 · Press

What had not been found as of September 23, 2026

  • 2012 FINEP Award, official confirmation. The website premio.finep.gov.br went offline, and the Wayback snapshot from April 26, 2012 contains only the homepage, with no list of winners.
  • Year of the "1st place nationally" in the Small Business category, attributed to him in a FINEP search result. The CV only records 1st place in the Northeast regional stage in 2009.
  • CBN coverage of Bolão das IAs: no URL found. The g1 URL was confirmed and is listed above.
  • Época article about the 2012 FINEP Award. In 2016, the company cited a URL on revistaepoca.globo.com that the Wayback Machine never archived. It remains without a source.
  • Agência UFPE news article "CIn ganha Prêmio Finep de Inovação 2011", cited in a footnote on a company page from 2016: it was not archived and cannot be confirmed through another source. If it existed, it would be a 2011 FINEP award associated with CIn.
  • CNPq Special Visiting Researcher grant 401486/2014-1. There is no public lookup by grant number; the record exists only in the CV and internal documentation.
  • ActuIA pages. The two texts from 2024 are deposited in HAL, but the magazine's website offers no public search, and issue No. 16 is in print.
  • Campus Party: no publicly documented participation was found.
  • Instituto Caldeira: the institute does not publish the membership of its Technical and Scientific Council, and there is no public record naming him as a member.
  • Agência Sebrae de Notícias (October 28, 2009): the original URL is offline and there is no Wayback capture; the text was read in the version republished by FAPEMA, identical and dated the same day.

Frequently asked questions

What awards has Giordano Cabral received?

With D'Accord Music Software, the FINEP Technological Innovation Award in the Small Business category: 3rd place in 2007, 2nd in 2008 and 1st place in the Northeast regional stage in 2009; the company won the Northeast regional stage again in 2012.

Did Giordano Cabral participate in the first album composed with artificial intelligence?

His name appears in the acknowledgments on the official credits page for "Hello World" (2018), the first album composed with the Flow-Machines system — not among the artists or the research and development team, whose members are individually named on the same page. The company he founded states that the Brazilian music database it created, Brazyle (2017), "is used in the Flow Machines project"; no source says that this database was used on the album. A CESAR article dated June 15, 2023, states that he participated in developing the album, and it is the only source to do so.

Where can I find articles about Giordano Cabral?

Organized by period, from the software exported in 2003 to the AI experiments of 2026. Each line gives date, outlet, and link.