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Giordano Cabral

Publications · 2001–2023

What Giordano Cabral has published, and where to start reading

Noticeboard with a slightly uneven grid of blank cards held by pins; a single red card.

The production starts with the artificial intelligence systems that generate real-time musical accompaniment and harmonization — the D'Accord Guitar (2001), the oldest on the list, rhythmic accompaniment generation by patterns (2004), the thesis (2008) and the demonstration at IJCAI 2015 — and with the automatic discovery of audio descriptors with EDS, from Sony CSL: ISMIR 2005 is the first work of the doctorate at an international conference. Next come the digital musical instruments, where the most cited work is, A Method and Toolkit for Digital Musical Instruments (2017); digital games as a psychology experiment instrument, with Slingshot Challenge and Star Mines (2022); and education, whose most cited article is the one from SBIE 2022. The work on agentic AI begins in 2025, after the last Lattes record, and is in the essays and at FAROL.

There are 88 distinct works from 2001 to 2023: 11 journal articles, 56 conference proceedings papers, 2 chapters, one doctoral thesis and one master's dissertation, edited books and technical outputs. Twenty are described below, selected for citations, awards, being the first in a research area or their publication venue. Citation counts are as of September 24, 2026: S2 stands for Semantic Scholar, OA for OpenAlex and CR for Crossref; where Lattes reports Web of Science and Scopus counts, the numbers are labeled accordingly. Google Scholar could not be accessed.

01 · Publications

Selected Publications

1. A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes · 2017

Calegario, F.; Wanderley, M. M.; Huot, S.; Cabral, G.; Ramalho, G. IEEE MultiMedia, vol. 24, no. 1, pp. 63–71, 2017. doi.org/10.1109/MMUL.2017.18 · hal-01467105

Digital musical instruments separate control gestures from sound production; the design space is large, and building a working prototype takes time. The article proposes a method for generating instrument ideas and a physical prototyping toolkit with blocks inspired by existing instruments; preliminary tests with musicians and designers indicated the toolkit's potential and limitations. A collaboration between CIn/UFPE, McGill's IDMIL, and Inria Lille; the foundation for Probatio, by Filipe Calegário.

Citations: S2 37 · OA 26 · CR 21 · Lattes WoS 20 | Scopus 38. The most cited work on the CV across all databases.

2. Motivational Impact of Virtual Reality on Game-Based Learning: Comparative Study of Immersive and Non-Immersive Approaches · 2017

Silva, T. S.; Marinho, E. C. R.; Cabral, G. R. E.; Gama, K. S. 19th Symposium on Virtual and Augmented Reality (SVR 2017), Curitiba. IEEE, pp. 155–158. doi.org/10.1109/SVR.2017.28

Digital game-based learning is motivating; the study asks whether an immersive virtual reality version adds anything, comparing the motivational impact of immersive and non-immersive games with students at NAVE Recife.

Citations: S2 22 · OA 23 · CR 17.

3. Designing DMIs for Popular Music in the Brazilian Northeast: Lessons Learned · 2015

Barbosa, J.; Calegario, F.; Tragtenberg, J.; Cabral, G.; Ramalho, G.; Wanderley, M. M. NIME 2015, Baton Rouge, pp. 277–280. zenodo.1179007 · PDF

Most digital instruments originate in centers focused on European and North American contemporary music, or in projects where the instrument maker is also the performer. The article reports on a year of the Batebit project, involving cycles of inspiration, ideation, and implementation with musicians from northeastern Brazil, which resulted in two instruments. The methodological starting point for TumTá and Pisada.

Citations: S2 19 · OA 17.

4. Challenges in Designing New Interfaces for Musical Expression · 2014

Medeiros, R.; Calegario, F.; Cabral, G.; Ramalho, G. In: Marcus, A. (ed.). Design, User Experience, and Usability (HCI International 2014). LNCS 8518. Springer, pp. 643–652. doi.org/10.1007/978-3-319-07668-3_62

Design challenges specific to interfaces for musical expression: virtuosity, cultural elements, context of use, catalyzing creation, success criteria, and adoption strategy. Lattes lists the same item as both a conference paper and a chapter.

Citations: S2 18 · OA 15 · CR 9.

5. Automatic X Traditional Descriptor Extraction: the Case of Chord Recognition · 2005

Cabral, G.; Pachet, F.; Briot, J.-P. 6th International Conference on Music Information Retrieval (ISMIR 2005), London, pp. 444–449. zenodo.1415701 · hal-01416436

Audio descriptors are formulas that express a property of sound, and finding them requires expertise in signal processing. EDS, from Sony CSL, proposes discovering them automatically; the article presents the first part of the validation, comparing classical approaches with the system operated by an inexperienced user for acoustic guitar chord recognition. The first paper from the doctoral research presented at an international conference. The companion paper, Impact of Distance in Pitch Class Profile Computation (10th SBCM 2005), has S2 16 · OA 7.

Citations: S2 15 · OA 9.

6. A Drawing-Based Digital Music Instrument · 2013

Barbosa, J.; Calegario, F.; Teichrieb, V.; Ramalho, G.; Cabral, G. NIME 2013, South Korea, pp. 551–556. zenodo.1178565

Illusio: a multitouch instrument augmented by a device similar to a guitar pedal, in which the musician draws and maps strokes to loops organized in a musical tree — hierarchical live looping. Evaluated by the performer and the audience. Portuguese version at SBCM 2013.

Citations: S2 14 · OA 4.

7. Towards the Concept of Digital Dance and Music Instruments · 2019

Tragtenberg, J.; Calegario, F.; Cabral, G.; Ramalho, G. NIME 2019, Porto Alegre, pp. 89–94. zenodo.3672877

Proposes the concept of instruments in which music is intentionally generated through dance, as a bridge between the digital instrument and interactive dance system communities, and as a tool for designing and evaluating these instruments. Derived from João Tragtenberg's master's thesis (2017).

Citations: S2 13 · OA 3.

8. Recognizing Chords with EDS: Part One · 2006

Cabral, G.; Pachet, F.; Briot, J.-P. In: Computer Music Modeling and Retrieval (CMMR 2005, Pisa). LNCS 3902. Springer, 2006, pp. 185–195. doi.org/10.1007/11751069_17 · hal-01336914

A continuation of the ISMIR 2005 study: EDS applied to chord recognition, comparing automatically discovered descriptors with traditional ones. Lattes classifies it as a journal article; Crossref, as a chapter; DBLP, as a conference paper.

Citations: S2 11 · OA 6 · CR 2 · Lattes WoS 2 | Scopus 6.

9. Using Patterns to Generate Rhythmic Accompaniment for Guitar · 2004

Dahia, M.; Santana, H.; Trajano, E.; Ramalho, G.; Sandroni, C.; Cabral, G. Sound and Music Computing / Journées d'Informatique Musicale 2004, Paris. zenodo.849240 · hal-03354323

Generation of rhythmic accompaniment for acoustic guitar from patterns extracted from performances, with an ethnomusicologist on the team. It links D'Accord Guitar (2001) to the doctoral thesis on real-time harmonization (2008).

Citations: S2 11 · OA 3.

10. Cross Task Study on MIREX Recent Results: an Index for Evolution Measurement and Some Stagnation Hypotheses · 2016

Scholz, R. E. P.; Ramalho, G.; Cabral, G. ISMIR 2016, New York, pp. 372–378. zenodo.1416898

MIREX has been the evaluation arena for music information retrieval since 2005. The paper compiles six years of results, proposes a configurable index to measure progress trends for each task, and discusses hypotheses for stagnation in some of them. The only work in the CV on the metascience of the field itself.

Citations: S2 10 · OA 6.

11. Sketchument: Empowering Users to Build DMIs through Prototyping · 2013

Calegario, F.; Barbosa, J.; Ramalho, G.; Cabral, G.; Finch, G. Organised Sound, vol. 18, no. 3, pp. 314–327, 2013. Cambridge University Press. doi.org/10.1017/S1355771813000290

An environment for nontechnical users to prototype digital instruments, developed using the same prototyping philosophy it proposes — from paper to functional prototypes, with videos, questionnaires, and interviews. MusTIC's first journal article; derived from Filipe Calegário's master's thesis (2013).

Citations: S2 3 · OA 3 · CR 1. Included because of the publication venue and because it is the first in this line of research.

12. Slingshot Challenge and Star Mines: Two Digital Games as a Prisoner's Dilemma to Assess Cooperation in Children · 2022

Cabral, G. R. E. [Guilherme]; Sampaio, L. R.; Cabral, G. R. E. [Giordano]; Santana, R. B. Behavior Research Methods, vol. 54, pp. 597–610, 2022 (online in 2021). Springer / Psychonomic Society. PMID 34327675. doi.org/10.3758/s13428-021-01661-y

Two digital games structured around the prisoner's dilemma, tested in two experiments with 162 children aged 6 to 12: they understood the dynamics, showed motivation, cooperated more in Star Mines than in Slingshot Challenge, and cooperated conditionally. Concludes that both games are feasible, reliable, and valid instruments for measuring cooperation in childhood. The only article in the CV published in a psychology methods journal.

Citations: CR 7 · OA 8 · Lattes WoS 8 | Scopus 7.

13. Lessons Learned about the Development of Digital Entertainment Tools for Experiments on Resources Distribution · 2017

Martins, S. L.; Cabral, G. R. E. [Guilherme]; Moreira Junior, L. D. S.; Martins, E. H. C. F.; Cabral, G. R. E. [Giordano]. Computers in Human Behavior, vol. 70, pp. 523–534, 2017. Elsevier. doi.org/10.1016/j.chb.2017.01.023

What the Decisores Virtuais project team (FACEPE, 2013–2015) learned from designing digital entertainment tools tailored to experiments on resource allocation, to guide others wishing to build their own. PsyFun's first journal article.

Citations: S2 2 · OA 3 · CR 3 · Lattes WoS 3 | Scopus 4.

14. Improvised Sound-Making within Musical Apprenticeship and Enactivism: an Intersection between the 4E's Model and DMIs · 2021

Almeida, I. C.; Cabral, G. NIME 2021, Shanghai (virtual). doi.org/10.21428/92fbeb44.56a01d33

Brings a theory of music education into digital instrument design — enactive cognition and the 4E model, embodied, embedded, extended, enactive — interpreted through improvisation, and uses concrete cases to show how this theory can frame the experience of improvising with these instruments. Further developed at SBCM 2021 and in Revista Vórtex (2022).

Citations: S2 8 · OA 8 · CR 5. The most cited recent work.

15. TumTá and Pisada: Two Foot-controlled Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions · 2019

Tragtenberg, J.; Calegario, F.; Cabral, G.; Ramalho, G. 17th Brazilian Symposium on Computer Music (SBCM 2019), São João del-Rei, pp. 76–83. doi.org/10.5753/sbcm.2019.10426 · extended version: Per Musi, no. 40, 2021, doi.org/10.35699/2317-6377.2020.26151

The development process behind TumTá, a wearable instrument that triggers sound samples through footsteps, and Pisada, a MIDI pedalboard designed for dancing, created between 2012 and 2017 for Helder Vasconcelos, whose training is rooted in the Cavalo Marinho and Maracatu Rural traditions; three prototyping phases and lessons from designing technology based on Brazilian traditions. Best paper at the 17th SBCM (CIn portal, October 3, 2019).

Citations: S2 4 · OA 3 · CR 2 (SBCM); OA 1 (Per Musi).

16. Analyzing Harmonic Progressions with HarmIn: the Music of Antonio Carlos Jobim · 2007

Cabral, G. R. E.; Willey, R. 11th Brazilian Symposium on Computer Music (SBCM 2007), São Paulo. No DOI. PDF in the proceedings

A harmonic progression analysis tool applied to the work of Tom Jobim: progressions become a graph of chord transitions over the circle of fifths, with the thickness of each transition proportional to its frequency in the repertoire. Best student technical paper award at the 11th SBCM, according to the symposium page; Lattes records "Best paper prize". Robert Willey is a musicologist (at the University of Louisiana at Lafayette at the time).

Citations: S2 2, in a record dated 2019 in the database.

17. Harmonisation automatique en temps réel — doctoral dissertation · 2008

Cabral, G. R. E. Dissertation (Doctorate in Computer Science, Telecommunications and Electronics). Université Pierre et Marie Curie — Paris 6, LIP6. Supervisors: Jean-Pierre Briot and François Pachet. Defended on July 9, 2008. NNT 2008PA066236. theses.fr · LIP6 profile. No open-access PDF.

Defines the task of real-time automatic harmonization — accompanying a potentially improvised melody by finding harmony over a fixed rhythmic pattern, with partial information and mutual influence between the system and the user — and solves it by extending music information retrieval techniques to acoustic signals. Produces the Ramin framework, evaluated against human musicians; a simple solution outperformed complex ones. Constituent works: Incremental Parsing for Real-Time Accompaniment Systems (FLAIRS 2006; S2 7 · OA 4; PDF), Ramin: a Framework for Real-Time Improvised Accompaniment and Harmonization (IEEE ISM 2008) and Comparing Techniques for the Automatic Accompaniment of Audio Improvisation (IEEE ISM 2009).

Dissertation citations: S2 3 · OA 1.

18. D'Accord Guitar: an Innovative Guitar Performance System · 2001

Cabral, G.; Zanforlin, I.; Lima, R.; Santana, H.; Ramalho, G. Huitièmes Journées d'Informatique Musicale (JIM 2001), Bourges. hal-02987455. Related works from the same year: Playing Along With D'Accord Guitar and Da Cifra para o Braço (VIII SBCM 2001, Fortaleza) and Modelagem da Execução Musical em Violão e Guitarra (ENIA 2001).

A system that takes chord symbols and produces a guitar performance — selecting fretboard positions, modeling the hand, and animating it for learning. It presents the master's dissertation (2002) as an article, marks the origin of D'Accord Violão Player and D'Accord Music Software, and is the first work in the two longest-running strands of the CV.

Citations: S2 9 · OA 4 (JIM 2001); S2 8 (Playing Along).

19. Pensando computacionalmente com Ana: storytelling sensível ao gênero para favorecer a autoeficácia das estudantes do ensino fundamental I · 2022

Cunha, M. S.; Cabral, G. R. E.; Fonseca, L. S. S. XXXIII Simpósio Brasileiro de Informática na Educação (SBIE 2022), pp. 1334–1343. SBC. doi.org/10.5753/sbie.2022.224948

Gender-sensitive computational thinking materials in Portuguese are lacking. The study develops a storytelling resource based on the four sources of self-efficacy, incorporating gender considerations and the pillars of computational thinking, and validates the activities derived from its scenes with experts. It forms the core of Mychelline Souto Cunha's doctoral thesis (2025); the series includes the EDUCOMP 2021 paper and the systematic review in RENOTE (2023, doi.org/10.22456/1679-1916.134331).

Citations: CR 10 · OA 9. The most-cited education article in Crossref.

20. Capturing a Musician's Groove: Generation of Realistic Accompaniments from Single Song Recordings · 2015

Ramona, M.; Cabral, G.; Pachet, F. 24th International Joint Conference on Artificial Intelligence (IJCAI 2015), Buenos Aires, pp. 4140–4142 (demonstration). ijcai.org/Abstract/15/583 · PDF

A concatenative synthesis engine that takes a recording of a performer playing one song and uses that material to generate accompaniment for any other, handling timing deviations at segment boundaries: accidental deviations are corrected, while intentional ones, which create the groove, are preserved. A resumption of the collaboration with Sony CSL seven years after the doctoral thesis; the only publication in the CV at a general AI conference.

Citations: S2 6 · OA 5.

02 · Publications

Patents and computer programs

Two invention patent applications filed with INPI on April 20, 2017, with João Nogueira Tragtenberg, Filipe Calegário and Eduardo Santos Silva, with Daccord Tecnologia as the applicant: BR 10 2017 008307 1, a platform for visualizing and capturing musical performance events, and BR 10 2017 008296 2, a protocol for representing musical performance. Their current status at INPI has not been verified.

Lattes lists 93 computer programs, none registered with INPI, plus two products (VioLED, 2018; Beatify, 2019). Grouped as follows: 32 Turma do Som games (2010–2012), 24 MusiGames Studio games (2008–2012), 22 D'Accord Music Software programs (2001–2019), and 13 research and other programs — Ramin (2008), Audio Alerta (2012–2013), Brazyle (2017), Slingshot Challenge (2017), Star Mines (2018), MAP and Ritmaker (2020). The list appears in the complete listing below and on Lattes.

03 · Publications

Books

One coauthored book: Nós da Educação — Música (4º e 5º ano), Editora Ática, 2014, 98 pp., with Cecília Cavalieri França, Magali Kleber, Juciane Araldi Beltrame, Cleusa Cacione and Vania Malagutti Fialho. The 28 edited-book records cover seven Daccord educational titles — Turma do Som — Livro 1 and Manual do Professor (2012), and the courses in music creation, recorder, keyboard and guitar (2011), each with student and teacher books in print, ebook and CD formats — and two proceedings volumes of the Simpósio Brasileiro de Computação Musical (12th, 2009; 14th, 2013). Two chapters and a foreword complete the list. The entries, with covers, appear below under Books, chapters and proceedings.

04 · Publications

Profiles

Publications

Where to find the records

No bibliographic database lists the entire collection. Lattes, accessed through a mirror, has 93 of the 100 records; Semantic Scholar, 57; OpenAlex, 55; Crossref, 34; and DBLP, 23. Thirty-seven records appear in only one database. ORCID was queried without error and lists no works.
No bibliographic database lists the entire collection. Lattes, accessed through a mirror, has 93 of the 100 records; Semantic Scholar, 57; OpenAlex, 55; Crossref, 34; and DBLP, 23. Thirty-seven records appear in only one database. ORCID was queried without error and lists no works.

The profile is split across three identifiers in Semantic Scholar and another three in OpenAlex, so each database returns a different count. The queries below date from September 18, 2026, unless otherwise indicated.

01 · Publications

By the numbers

The Lattes PDF was generated on September 13, 2026, and lists the CV's latest update as August 19, 2026.

Type of outputLattes (August 19, 2026)
Full journal articles10
Papers published in conference proceedings56
Book chapters2
Published books1
Edited books or editions26 + 2
Prefaces1
Other bibliographic output5
Research presentations5 conference presentations/lectures + 2 seminars + 2 other
Patent applications filed with INPI2
Unregistered computer program27 + 66
Technological products1 pilot + 1 project
Teaching or instructional material20
Short courses taught4 + 2
Completed supervision44 (13 master's students as primary supervisor, 10 as co-supervisor, 2 doctoral students as co-supervisor, 8 undergraduate final projects, 10 undergraduate research projects, 1 postdoctoral researcher)
Examination committee service57 (25 master's, 14 doctoral, 15 undergraduate, 3 public recruitment examinations)

The most recent bibliographic work recorded in Lattes dates from 2023. There are no articles, chapters, or conference papers from 2024, 2025, or 2026.

Citations according to open databases:

DatabaseWorksCitationsh-indexi10
Semantic Scholar — main profile (144414612)5026810not reported
Semantic Scholar — secondary profiles (2077143696, 2295735093)5 + 215 + 02 e 0—
Semantic Scholar — total across all three57283——
OpenAlex — three consolidated IDs, excluding 1 record belonging to a namesake5621185

The main OpenAlex ID conflates two namesakes: a dosimetry article from 2002 and an article from 1986. The figures in the consolidated row were recalculated by excluding the 1986 record and reordering the citation counts; 36 of the 56 works have at least one citation.

Lattes itself records citation counts for six papers, in Web of Science and Scopus formats: A Method and Toolkit for DMIs (20 | 38), Slingshot Challenge and Star Mines (8 | 7), Lessons learned… (3 | 4), Feature Learning with Multi-objective… (1 | 1), Recognizing Chords with EDS (2), and Improvisation Pedagogy (1).

Google Scholar: no figures. The profile tQH3k5gAAAAJ belongs to him — the photo loads without restrictions and was checked — but the citations page returns a CAPTCHA. Total citations, h-index, and i10 remain blank; obtaining them requires opening the profile in a browser that is already signed in and saving the page.

Sources: pesquisa/lattes-2026-09-13.pdf (pp. 27-28 for totals; pp. 8-13 for bibliographic output; p. 18 for patents) · api.semanticscholar.org/graph/v1/author/{144414612 2077143696, 2295735093} · api.openalex.org/authors/{A5021048068, A5057375799, A5103327366} and api.openalex.org/works?filter=author.id:… · scholar.googleusercontent.com/citations?view_op=view_photo&user=tQH3k5gAAAAJ.

02 · Publications

Recovered links

Seventeen works had neither a DOI nor a PDF. Open-access links were found for thirteen, and a DOI was found for one, without a PDF. All older SBCM proceedings are available at compmus.ime.usp.br/sbcm/, with each paper in a .zip containing the PDF. The addresses below respond.

WorkEventRecovered link
Playing Along With D'Accord GuitarVIII SBCM, 2001https://compmus.ime.usp.br/sbcm/2001/researchpapers/sbcm-researchpaper-2001-5.zip
Da Cifra para o Braço: Estudo dos Problemas de Execução Musical em Violão e GuitarraVIII SBCM, 2001https://compmus.ime.usp.br/sbcm/2001/discussionpapers/sbcm-discussionpaper-2001-3.zip
Impact of Distance in Pitch Class Profile Computation10th SBCM, 2005https://compmus.ime.usp.br/sbcm/2005/shortpapers/sbcm-shortpaper-2005-11.zip
Parsing Incremental para Acompanhamento em Tempo Real10th SBCM, 2005https://compmus.ime.usp.br/sbcm/2005/shortpapers/sbcm-shortpaper-2005-14.zip
Analytical Features to Extract Harmonic or Rhythmic Information11th SBCM, São Paulo, September 1–3, 2007https://compmus.ime.usp.br/sbcm/2007/papers/sbcm-2007-13.zip
Analyzing Harmonic Progressions with HarmIn: the Music of Antônio Carlos Jobim — Symposium's Best Student Technical Paper Award11th SBCM, São Paulo, September 1–3, 2007https://compmus.ime.usp.br/sbcm/2007/papers/sbcm-2007-15.zip
Towards an evaluation methodology for digital musical instruments considering performer's viewXIII SBCM, 2011https://compmus.ime.usp.br/sbcm/2011/papers/sbcm-paper-2011-4.zip
Avaliando Interfaces Gestuais para Prática de Instrumentos Virtuais de PercussãoSBCM, 2013https://compmus.ime.usp.br/sbcm/2013/papers/sbcm-2013-2.zip — and p. 154 of the proceedings: https://compmus.ime.usp.br/sbcm/2013/pt/docs/anais.pdf
Detecção de Refrão em Sinais de Áudio usando Extração de Características de Intensidade do Som15th SBCM, 2015p. 25 of https://compmus.ime.usp.br/sbcm2015/files/proceedings-print.pdf
V-Conga: Um Estudo de Caso Para Avaliar as Capacidades de Captura de Nuances Gestuais do Leap Motion15th SBCM, 2015p. 142 of the same PDF
Investigação sobre Combinações de Frases Percussivas através de Levantamento de Hipóteses e Análise Computacional15th SBCM, 2015p. 146 of the same PDF
Incremental Parsing for Real-Time Accompaniment SystemsFLAIRS 2006https://cdn.aaai.org/FLAIRS/2006/Flairs06-044.pdf (4 pp.)
Capturing a Musician's Groove: Generation of Realistic Accompaniments from Single Song RecordingsIJCAI 2015https://www.ijcai.org/Proceedings/15/Papers/583.pdf · abstract at https://www.ijcai.org/Abstract/15/583
A Framework to Percussive Educational SystemsIEEE ISM 2005DOI https://doi.org/10.1109/ism.2005.7, pp. 747-752 — metadata only, PDF behind IEEE's paywall

At the 11th SBCM, Giordano Cabral was also part of the technical program committee, then affiliated with Université Paris 6; in 2009, at the 12th, he signed for D'Accord Music Software; from 2014 on, for CIn/UFPE — the whole transition across three public title pages (11th SBCM page; proceedings).

Two notes on authorship. The FLAIRS 2006 paper does indeed list "Giordano Cabral, Jean-Pierre Briot François Pachet" (LIP6 and Sony CSL Paris), and the IJCAI 2015 paper lists the CIn/UFPE affiliation and the email address grec@cin.ufpe.br. At SBCM 2015, the three papers appear in the proceedings' table of contents with coauthors Renato Celso Santos Rodrigues, Eduardo S. Silva, and Luca Bezerra — the table of contents gives the name as "Luca Dias", while the paper gives it as "Luca Bezerra".

Still without an open-access link (eight works): ENIA 2001; IEEE ISM 2008 (Ramin) and ISM 2009 (Comparing Techniques…), both in paywalled IEEE proceedings and absent from Crossref; AES 35th Conference 2008 (Mapping Sounds Into Commands) and 12th AES Brasil 2014 (Uma Camada de Pós-Processamento…) — the AES archive returns a 403 response to automated access; IX SBGames 2010 (The Acoustick) — the event website does not publish a proceedings index; XX Congresso da ABEM 2011; and the 31st ISME World Conference 2014.

Sources: compmus.ime.usp.br/sbcm/ (general index of all editions) · cdn.aaai.org · ijcai.org/proceedings/2015 · api.crossref.org/works/10.1109/ism.2005.7 · the downloaded PDFs listed in this website's working collection.

03 · Publications

Corrections to the previous survey

Four points differ from this site's research dossier.

1. Two patent applications have been filed. The previous survey stated "no patent record was found" — the Escavador mirror did not include that section. Both were filed with INPI on April 20, 2017, and the owner is Daccord Tecnologia LTDA ME:

  • BR1020170083071 — Plataforma de visualização e captura de eventos de performance musical. Authors: João Nogueira Tragtenberg, Filipe Calegario, Eduardo Santos Silva, and Giordano Cabral. This is the patent for the LED platform that shows musicians which notes and chords to play, with a microphone capturing the performance to provide feedback.
  • BR1020170082962 — Protocolo inteligente para representação de performance musical. Same authors. This is the communication protocol between the software and the LED and sensor platform.

2. There is one additional paper, absent from both Lattes and the previous survey. Using drawings and a guitar pedal to create one-man-band music: the Illusio, by Jerônimo Barbosa, Filipe Calegario, Veronica Teichrieb, Geber Ramalho, and Giordano Cabral, published at SBCM 2013 (p. 230 of the proceedings): https://compmus.ime.usp.br/sbcm/2013/papers/sbcm-2013-25.zip. Semantic Scholar has a record of it, with the wrong year (2019). Including it brings the total number of unique bibliographic works from 87 to 88.

3. The three works "missing from Lattes" remain absent — the check used the Lattes CV updated on August 19, 2026, rather than the mirror. The status of each:

  • Mixed Reality Laptops (SVR 2022): authorship confirmed. Crossref lists "Giordano Cabral" as the 7th of 12 authors, affiliated with the Department of Computer Science at UFPE, pp. 29-38, published on October 24, 2022. Open-access PDF at https://dl.acm.org/doi/pdf/10.1145/3604479.3604505.
  • Audio Information Retrieval in Mobile Environment with Fast Audio Classifier (WASET 2016): plausible, unconfirmed beyond the databases. OpenAlex has a single record, listing authors Bruno Gomes, José Antônio Alves de Menezes and Giordano Cabral — the same trio as the 2017 WASET paper, which is listed in Lattes. There is no DOI or PDF.
  • Representing Antônio Carlos Jobim's Harmonic Progressions: probably not a separate work. It appears only on Semantic Scholar (year 2007, 1 citation, no publication venue, no PDF) and Academia.edu. This round uncovered the PDF of the SBCM 2007 paper Analyzing Harmonic Progressions with HarmIn: the Music of Antônio Carlos Jobim, by Giordano Cabral and Robert Willey — same year, same coauthor, same topic. Treat as a duplicate until a distinct PDF is found.

4. SBCM coverage is complete. The proceedings from 2003, 2009, and 2017 — the three editions in which no work by him was listed — were reviewed paper by paper. No papers by him were found. The poster and music tracks for the 2005 and 2011 editions were also reviewed, with no additional work found.

Sources: pesquisa/lattes-2026-09-13.pdf p. 18 (patents) · api.crossref.org/works/10.1145/3604479.3604505 · api.openalex.org/works?filter=title.search:Audio Information Retrieval Mobile Environment · review of the .zip files from compmus.ime.usp.br/sbcm/{2003,2005,2007,2009,2011,2013,2017}.

Between 2011 and 2014 Giordano Cabral organized, with music educators, four instrument courses and the printed materials for Turma do Som. That is where most of the twenty-eight records of edited books or editions counted by Lattes come from. Alongside them are one authored book, two chapters, two symposium proceedings volumes, and one foreword.

01 · Books

Books and teaching materials

Nós da Educação — Música (4º e 5º Ano)

Cecília Cavalieri França; Giordano R. E. Cabral; Magali Kleber; Juciane Araldi Beltrame Cleusa Cacione; Vania Malagutti Fialho. São Paulo: Editora Ática, 2014. 1st edition, vol. 1, 98 pp. ISBN 978-85-08-16599-5. Digital format.

A music textbook for fourth and fifth grades of elementary school, written by six authors in the field of music education. On this list, it is the authored entry; the others are edited works. It is not listed in an active bookstore catalog or a public bibliographic database, and the promotional address listed in Lattes no longer leads to the book. Cover not found.

Turma do Som — Livro 1 e Manual do Professor

Edited by Cecília Cavalieri França and Giordano R. E. Cabral. Recife: Daccord Music Software

2012. 1st edition. Two volumes: Livro 1 (38 pp.) and Manual do Professor (120 pp.). ISBN not found.

The printed material accompanies Turma do Som, an introductory music platform for schools. The content is organized into four blocks — sound (timbre), pitch, time, and structure — explained through animated videos and explored in twenty-five games; the pedagogical consultant was Cecília Cavalieri França, who holds a doctorate in music education from the University of London and is a professor at UFMG. The platform responded to Law 11,769/2008, which made music education compulsory in basic education. The number of schools using it varies within the May 2012 press kit itself: the first press release mentions five institutions, the second nine, in Pernambuco, São Paulo, and Minas Gerais.

Photo from the Turma do Som press kit (Daccord, 2012)
Photo from the Turma do Som press kit (Daccord, 2012)

Cursos Daccord — Criação Musical, Flauta Doce, Teclado e Violão

Edited by Erika Pessoa Araujo, Evandro Natividade, and Giordano R. E. Cabral (for the Criação Musical, Flauta Doce, and Violão courses) and by Erika Pessoa Araujo, Anuacy Fontes, and Giordano R. E. Cabral (for the Teclado course). Recife: Daccord Music Software, 2011. 1st edition, 32 pp. per volume. ISBN not found.

Four instrument courses, each with a teacher's book and a student's book, published in three formats — print, ebook, and CD. They account for twenty-four entries in Lattes (4 courses × 2 audiences × 3 formats), the largest portion of the editorial output.

Sources: Lattes (September 13, 2026); Turma do Som press kit (turmadosom.com.br, 2012) on the Wayback Machine.

02 · Books

Chapters and forewords

Beyond the Fun: Games and Gamification Under the Pedagogy for Liberation

Yvonne Costa Carvalho; Giordano Ribeiro Eulalio Cabral; Veronica Teichrieb. In: Handbook of Research on Immersive Digital Games in Educational Environments, edited by Aliane Loureiro Krassmann, Érico Marcelo Hoff do Amaral, Felipe Becker Nunes, Gleizer Bierhalz Voss and Manuel Constantino Zunguze. Hershey: IGI Global, © 2019 (released in August 2018), 695 pp. Chapter 14, pp. 374–404. ISBN 978-1-5225-5790-6; e-book 978-1-5225-5791-3. DOI 10.4018/978-1-5225-5790-6.ch014.

Games and gamification in education viewed through the pedagogy of liberation: the question is what purpose engagement serves, before how to generate it.

Challenges in Designing New Interfaces for Musical Expression

Rodrigo Medeiros; Filipe Calegario; Giordano Cabral; Geber Ramalho. In: Design, User Experience and Usability. Theories, Methods, and Tools for Designing the User Experience (Lecture Notes in Computer Science, vol. 8518). Cham: Springer, 2014, pp. 643–652. ISBN 978-3-319-07667-6; e-book 978-3-319-07668-3. DOI 10.1007/978-3-319-07668-3_62.

The design problems that arise when building new digital musical instruments. Lattes lists the same work twice: as a chapter and as a paper at HCI International 2014.

Cover of LNCS volume 8518 (Springer, 2014)
Cover of LNCS volume 8518 (Springer, 2014)

Foreword — O futuro das organizações pela perspectiva Design-Driven

Preface by Giordano Cabral. Book edited by Priscila Alcântara, h.d. Mabuse, Carol Zatorre and Luciana de Mari, with illustrations by Quihoma Isaac. Rio de Janeiro: Alta Books, 2023. 1st edition, 212 pp. ISBN 978-85-508-2288-4. Launched at HSM+ on December 12, 2023.

A collection of case studies on how design guides organizational decisions.

Cover of
Cover of "O futuro das organizações pela perspectiva Design-Driven" (Alta Books, 2023)

03 · Books

Edited proceedings

Anais do 14º Simpósio Brasileiro de Computação Musical (SBCM 2013)

Edited by Edilson Ferneda (UCB), Fernando William Cruz (UnB), Giordano Cabral (UFRPE), and Damián Keller (UFAC). Porto Alegre: Sociedade Brasileira de Computação, 2013. 243 pp. ISBN 978-85-7669-286-7. Symposium held from October 31 to November 2, 2013, at Escola de Música de Brasília. Open-access PDF: https://compmus.ime.usp.br/sbcm/2013/pt/docs/anais.pdf

Cover of Anais do 14º SBCM (SBC, 2013)
Cover of Anais do 14º SBCM (SBC, 2013)

Proceedings of the 12th Brazilian Symposium on Computer Music (SBCM 2009)

Marcelo S. Pimenta; Damián Keller; Regis Rossi Faria; Marcelo Queiroz; Geber Ramalho Giordano R. E. Cabral. São Paulo: Sociedade Brasileira de Computação, 2009. 232 pp. ISSN 2175-6759. Published online and on CD-ROM. Symposium held September 7–9, 2009, in Recife. Open-access PDF: https://compmus.ime.usp.br/sbcm/2009/proceedings-SBCM2009.pdf

In the credits of the volume, Cabral appears as Local Organization Chair, with Geber Ramalho, and Daccord is responsible for printing the CD-ROM.

Cover of the Proceedings of the 12th SBCM (SBC, 2009)
Cover of the Proceedings of the 12th SBCM (SBC, 2009)

04 · Books

Other writings

Histórias de um Menino

Giordano R. E. Cabral, 2012. Printed book; a literary work, not an academic one. Publisher, page count, and ISBN not found: the Lattes entry is the only source located, and there is no public occurrence of the title associated with his name.

Antologia de Poetas Brasileiros Contemporâneos nº 2

Contribution by Giordano Cabral. BR Letras, 2003. Print. Page count and ISBN not found; no public mention of the anthology was located.

In progress

There are other books in the works, on the replication of training programs and on the internationalization of companies. None has been released.

Publications

The complete list (100)

Journal articles (11)

  1. 2023Gênero e pensamento computacional na educação básica: uma revisão sistemática da literatura
    Mychelline Souto Cunha; Giordano Ribeiro Eulalio Cabral; Liliane Sheyla da Silva Fonseca
    RENOTE — Revista Novas Tecnologias na Educação, vol. 21, pp. 107-116 · PDF
  2. 2022Improvisation Pedagogy: An Epistemological Perspective of the 4'E' Model within Digital Musical Instruments
    Isabela Corintha; Giordano Cabral
    Revista Vórtex, vol. 10, no. 1, art. 7 · PDF
  3. 2021TumTá and Pisada
    João Tragtenberg; Filipe Calegario; Giordano Cabral; Geber Ramalho
    Per Musi (online), pp. 1-20 (Lattes: vol. 1) · PDF
  4. 2021Slingshot Challenge and Star Mines: Two digital games as a prisoner's dilemma to assess cooperation in children
    Guilherme Ribeiro Eulalio Cabral; Leonardo Rodrigues Sampaio; Giordano Ribeiro Eulalio Cabral; Raick Bastos Santana
    Behavior Research Methods, vol. 54, pp. 597-610 (Crossref) · PDF
  5. 2019Feature Learning with Multi-objective Evolutionary Computation in the generation of Acoustic Features
    José Antonio Alves Menezes; Giordano Cabral; Bruno Gomes; Paulo Pereira
    Inteligencia Artificial (IBERAMIA), vol. 22, no. 64, pp. 14-35 · PDF
  6. 2017Lessons learned about the development of digital entertainment tools for experiments on resources distribution
    Samuel Luna Martins; Guilherme Ribeiro Eulalio Cabral; Luiz Delando Santos Moreira Junior; Erick Haendel Costa Fontes Martins; Giordano Ribeiro Eulalio Cabral
    Computers in Human Behavior, vol. 70, pp. 523-534
  7. 2017A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes
    Filipe Calegario; Marcelo M. Wanderley; Stéphane Huot; Giordano Cabral; Geber Ramalho
    IEEE MultiMedia, vol. 24, no. 1, pp. 63-71 · PDF
  8. 2017Genetic Algorithms for Feature Generation in the Context of Audio Classification
    José Antonio Alves Menezes; Bruno Gomes; Giordano Cabral
    World Academy of Science, Engineering and Technology — Proceedings, vol. 10, pp. 427-430 (classified as a journal publication in Lattes) · PDF
  9. 2016Audio Information Retrieval in Mobile Environment with Fast Audio Classifier
    Bruno Gomes; José Antônio Alves de Menezes; Giordano Cabral
    World Academy of Science, Engineering and Technology — International Journal of Electronics and Communication Engineering
  10. 2013Sketchument: Empowering users to build DMIs through prototyping
    Filipe Calegario; Jerônimo Barbosa; Geber Ramalho; Giordano Cabral; Gabriel Finch
    Organised Sound, vol. 18, no. 3, pp. 314-327
  11. 2006Recognizing Chords with EDS: Part One
    Giordano Cabral; François Pachet; Jean-Pierre Briot
    Lecture Notes in Computer Science, vol. 3902 (CMMR 2005, revised papers), pp. 185-195 — Lattes classifies it as a journal article; DBLP as a conference paper (CMMR 2005) · PDF

Conference papers (56)

  1. 2023Mercado de trabalho em Tecnologia da Comunicação e Informação (TI): análise de um experimento de aproximação entre academia e indústria no Porto Digital
    Marcela Valença; Wellynton Diniz; Mariana Pincovsky; César França; Giordano Cabral
    VIII WASHES 2023 (Workshop on Social, Human and Economic Aspects of Software), pp. 1-10 · PDF
  2. 2022Pensando computacionalmente com Ana: storytelling sensível ao gênero para favorecer a autoeficácia das estudantes do ensino fundamental I
    Mychelline S. Cunha; Giordano R. E. Cabral; Liliane Sheyla da Silva Fonseca
    XXXIII SBIE 2022 (Brazilian Symposium on Computers in Education), pp. 1334-1343 · PDF
  3. 2022Mixed Reality Laptops: A Protocol to Evaluate Enhanced Viewing Experiences on Consumer Laptops Using Parallax Engine
    Luana Porciuncula; Jáder Abreu; Jarbas Jácome; Pedro K. Brant; Luis E. M. Alves; Walter Correia; Giordano Cabral; Veronica Teichrieb; Jonysberg P. Quintino; Fabio Q. B. da Silva; André L. M. Santos; Helder de Sousa Pinho
    SVR 2022 (24th Symposium on Virtual and Augmented Reality), pp. 29-38 · PDF
  4. 2021Improvised Sound-Making within Musical Apprenticeship and Enactivism: An Intersection between the 4E's Model and DMIs
    Isabela Corintha Almeida; Giordano Cabral
    NIME 2021 (International Conference on New Interfaces for Musical Expression), Shanghai · PDF
  5. 2021The 4E's Model of Enactivism through Improvisation within DMIs
    Isabela Corintha; Giordano Cabral
    XVIII SBCM 2021 (Brazilian Symposium on Computer Music), pp. 160-165 · PDF
  6. 2021An open source platform to assist the creation of group playlists through artificial intelligence algorithms
    Flaviano Dias Fontes; Giordano Ribeiro Eulalio Cabral; Geber Lisboa Ramalho
    XVIII SBCM 2021, pp. 166-169 · PDF
  7. 2021A preliminary study of Augmented Musical Instruments for Study (AMIS) using research through design
    Eduardo Santos Silva; Giordano Ribeiro Eulalio Cabral; Rodrigo Mendes de Carvalho Pereira
    XVIII SBCM 2021, pp. 136-143 · PDF
  8. 2021Design process and rapid prototyping of animated music visualizations
    Horhanna Almeida; Giordano Cabral; Rute Moura
    XVIII SBCM 2021, pp. 114-120 · PDF
  9. 2021CatalogToMakers: a collaborative cataloging platform for electronic components and physical computing projects related to musical creativity
    Michael L. Bastos; Filipe C. A. Calegario; Giordano R. E. Cabral
    XVIII SBCM 2021, pp. 144-151 · PDF
  10. 2021Correlating Big Five Primary Personality Dimensions with Musical Preferences
    Luiz Delando Santos Moreira Júnior; Guilherme Ribeiro Eulálio Cabral; Giordano Ribeiro Eulálio Cabral
    XVIII SBCM 2021, pp. 103-108 · PDF
  11. 2021Evaluating the Automatic Chord Estimation and Alignments tasks needs using metrics from a code challenge
    Valter Jorge da Silva; Giordano Ribeiro Eulalio Cabral
    XVIII SBCM 2021, pp. 50-54 · PDF
  12. 2021Rapid prototyping: using Wizard of Oz to emulate machine learning features for interactive artistic applications
    Alessandra Aleluia; Giordano Cabral
    XVIII SBCM 2021, pp. 241-244 · PDF
  13. 2021Mandrit: a system for automatic generation of musical visualizations for rhythm analysis
    Rute Moura; Giordano Cabral; Horhanna Almeida; Ricardo Scholz
    XVIII SBCM 2021, pp. 30-36 · PDF
  14. 2021Challenges to generate musical visualizations
    Rute Moura; Giordano Cabral; Jáder Abreu; Mychelline Cunha; Horhanna Almeida
    XVIII SBCM 2021, pp. 129-135 · PDF
  15. 2021MySoundtrack: a tool for personalized and adaptive music listening while playing games
    Daniel Filgueira Bezerra; Filipe Calegario; Giordano Cabral; Geber Ramalho
    XX SBGames 2021 — Extended Proceedings, pp. 334-338 · PDF
  16. 2021Materiais didáticos sensíveis ao gênero para o ensino do Pensamento Computacional no Fundamental I
    Mychelline Souto Cunha; Giordano Ribeiro Eulalio Cabral; Liliane Sheyla da Silva Fonseca
    I EDUCOMP 2021 — Extended Proceedings, pp. 64-65 (abstract) · PDF
  17. 2019TumTá and Pisada: Two Foot-controlled Digital Dance and Music Instruments Inspired by Popular Brazillian Traditions
    João Tragtenberg; Filipe Calegario; Giordano Cabral; Geber Ramalho
    XVII SBCM 2019, pp. 76-83 · PDF
  18. 2019MusTIC: Research and Innovation Group on Music, Technology, Interactivity and Creativity
    Filipe Calegario; Giordano Cabral; Geber Ramalho
    XVII SBCM 2019, pp. 173-180 · PDF
  19. 2019Batebit Controller: Popularizing Digital Musical Instruments' Technical Development Process
    Filipe Calegario; João Tragtenberg; Giordano Cabral; Geber Ramalho
    XVII SBCM 2019, pp. 217-218 (abstract/demo; arXiv preprint in 2021, see Other) · PDF
  20. 2019AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music
    Isabela Corintha Almeida; Giordano Cabral; Gilberto Bernardes Almeida
    NIME 2019, Porto Alegre, pp. 168-169 · PDF
  21. 2019Towards the Concept of Digital Dance and Music Instruments
    João Tragtenberg; Filipe Calegario; Giordano Cabral; Geber Ramalho
    NIME 2019, Porto Alegre, pp. 89-94 · PDF
  22. 2017Motivational Impact of Virtual Reality on Game-Based Learning: Comparative Study of Immersive and Non-Immersive Approaches
    Tassio de Souza Silva; Edwin Carlo Ribeiro Marinho; Giordano Ribeiro Eulalio Cabral; Kiev Santos da Gama
    SVR 2017 (19th Symposium on Virtual and Augmented Reality), Curitiba, pp. 155-158
  23. 2016Cross Task Study on MIREX Recent Results: An Index for Evolution Measurement and Some Stagnation Hypotheses
    Ricardo E. P. Scholz; Geber Ramalho; Giordano Cabral
    ISMIR 2016 (17th Int. Society for Music Information Retrieval Conf.), New York, pp. 372-378 · PDF
  24. 2015Capturing a Musician's Groove: Generation of Realistic Accompaniments from Single Song Recordings
    Mathieu Ramona; Giordano Cabral; François Pachet
    IJCAI 2015 (24th Int. Joint Conf. on Artificial Intelligence), Buenos Aires, pp. 4140-4142 (demo)
  25. 2015Designing DMIs for Popular Music in the Brazilian Northeast: Lessons Learned
    Jerônimo Barbosa; Filipe Calegario; João Tragtenberg; Giordano Cabral; Geber Ramalho; Marcelo M. Wanderley
    NIME 2015, Baton Rouge, pp. 277-280 · PDF
  26. 2015Detecção de Refrão em Sinais de Áudio usando Extração de Características de Intensidade do Som
    R. C. S. Rodrigues; Geber L. Ramalho; Giordano Cabral
    15th SBCM 2015, Campinas
  27. 2015Investigação sobre Combinações de Frases Percussivas através de Levantamento de Hipóteses e Análise Computacional
    L. Bezerra; Giordano Cabral; Geber Ramalho
    15th SBCM 2015, Campinas
  28. 2015V-Conga: Um Estudo de Caso Para Avaliar as Capacidades de Captura de Nuances Gestuais do Leap Motion em um Sistema Híbrido
    Eduardo Santos; Geber Ramalho; Giordano Cabral
    15th SBCM 2015, Campinas
  29. 2014Challenges in Designing New Interfaces for Musical Expression
    Rodrigo Pessoa Medeiros; Filipe Calegario; Giordano Cabral; Geber L. Ramalho
    HCI International 2014 (DUXU), Crete; LNCS 8518, pp. 643-652
  30. 2014Uma Camada de Pós-Processamento para Sistemas de Transcrição de Acordes
    Uraquitan Sidney Cunha; Giordano Cabral; Geber Ramalho
    12th AES Brazil Conference, São Paulo
  31. 2014Dealing with Challenges in Music Education through Active Music Making
    Cecília Cavalieri França; Magali Kleber; Vania Malagutti Fialho; Juciane Araldi Beltrame; Giordano Cabral
    31st ISME World Conference on Music Education, Porto Alegre
  32. 2013A Drawing-Based Digital Music Instrument
    Jerônimo Barbosa; Filipe Calegario; Veronica Teichrieb; Geber Ramalho; Giordano Cabral
    NIME 2013, Seoul, pp. 551-556 · PDF
  33. 2013Avaliando Interfaces Gestuais para Prática de Instrumentos Virtuais de Percussão
    J. V. S. Silva; Filipe Calegario; Giordano Cabral; Geber Ramalho
    SBCM 2013, Brasília
  34. 2013A proposal for automatic diagnosis of malaria (extended abstract)
    Allisson Dantas Oliveira; Giordano Cabral; Daniel López (Codina); Caetano Firmo; Francesc Zarzuela Serrat; Jones Oliveira de Albuquerque
    WWW 2013 Companion — 1st Int. Workshop on Public Health in the Digital Age, Rio de Janeiro, pp. 681-682
  35. 2011Towards an evaluation methodology for digital musical instruments considering performer's view: a case study
    Jerônimo Barbosa; Filipe Calegario; F. Magalhães; Giordano Cabral; Veronica Teichrieb; Geber Ramalho
    XIII SBCM 2011, Vitória
  36. 2011Criação, apreciação e performance com suporte digital no ensino básico de música
    Cecília Cavalieri França; Giordano Cabral; Waldcelma Silveira; Fabio Florencio
    XX ABEM Annual Congress, Vitória, p. 95 (abstract)
  37. 2010The Acoustick: Game Command Extraction from Audio Input Stream
    Giordano Cabral; Roberto Cássio Júnior
    IX SBGames 2010, Florianópolis, pp. 337-340
  38. 2010Guitar-Leading Band
    Marcelo Cicconet; Luiz Velho; Paulo Cezar Pinto Carvalho; Giordano Cabral
    SIGGRAPH 2010 Posters, Los Angeles, article 85
  39. 2009Comparing Techniques for the Automatic Accompaniment of Audio Improvisation
    Giordano Cabral; Jean-Pierre Briot; François Pachet; Geber Ramalho
    IEEE ISM 2009 (Int. Symposium on Multimedia), San Diego
  40. 2009Improving audio files availability in file sharing networks (Lattes: "Melhorando a disponibilidade de arquivos de áudio em redes de compartilhamento de arquivos")
    Márcio Dahia; Geber Ramalho; Fernando Trinta; Giordano Cabral; Marcela Guerra
    WebMedia 2009 (XV Brazilian Symposium on Multimedia and Web Systems), Fortaleza, article 16, pp. 1-8
  41. 2008Mapping Sounds Into Commands
    Giordano Cabral; Roberto Cássio Júnior (Roberto Cássio Silva)
    AES 35th International Conference: Audio for Games, London
  42. 2008Ramin: A Framework for Real-Time Improvised Accompaniment and Harmonization
    Giordano Cabral; Jean-Pierre Briot; François Pachet
    IEEE ISM 2008, Berkeley
  43. 2007Analytical Features to Extract Harmonic or Rhythmic Information
    Giordano Cabral; Jean-Pierre Briot; Sergio Krakowski; Luiz Velho; François Pachet; Pierre Roy
    11th SBCM 2007, São Paulo
  44. 2007Analyzing Harmonic Progressions with HarmIn: the Music of Antonio Carlos Jobim
    Giordano Cabral; Robert Willey
    11th SBCM 2007, São Paulo · PDF
  45. 2007Representing Antônio Carlos Jobim's Harmonic Progressions
    Robert Willey; Giordano Cabral
    publication venue not found (S2 has no venue; probably SBCM 2007)
  46. 2006Incremental Parsing for Real-time Accompaniment Systems
    Giordano Cabral; Jean-Pierre Briot; François Pachet
    FLAIRS 2006 (19th Florida AI Research Society Conf.), Special Track on AI in Music and Art, Melbourne Beach, pp. 227-230
  47. 2005Automatic X Traditional Descriptor Extraction: the Case of Chord Recognition
    Giordano Cabral; François Pachet; Jean-Pierre Briot
    ISMIR 2005 (6th), London, pp. 444-449 · PDF
  48. 2005Recognizing Chords with EDS: Part One
    Giordano Cabral; François Pachet; Jean-Pierre Briot
    CMMR 2005 (3rd Int. Symposium on Computer Music Modeling and Retrieval), Pisa, pp. 185-195 — published in LNCS 3902 (2006), see table 1
  49. 2005Impact of Distance in Pitch Class Profile Computation
    Giordano Cabral; Jean-Pierre Briot; François Pachet
    10th SBCM 2005, Belo Horizonte
  50. 2005Parsing Incremental para Acompanhamento em Tempo Real
    Giordano Cabral; Jean-Pierre Briot; François Pachet
    10th SBCM 2005, Belo Horizonte
  51. 2005A Framework to Percussive Educational Systems
    Suzana M. de Borba Maranhão; Matheus Cabral de Araújo Gois; Erika Pessoa Araujo; Giordano Ribeiro Eulalio Cabral
    IEEE ISM 2005 (7th Int. Symposium on Multimedia), Irvine, pp. 747-752
  52. 2004Using Patterns to Generate Rhythmic Accompaniment for Guitar
    Márcio Dahia; Hugo Santana; Ernesto Trajano; Geber Ramalho; Carlos Sandroni; Giordano Cabral
    Sound and Music Computing (SMC'04), Paris (Lattes) / Journées d'Informatique Musicale 2004 (HAL) — see discrepancies · PDF
  53. 2001Playing Along With D'Accord Guitar
    Giordano Cabral; Izabel Zanforlin (Santana); Hugo Santana; Rodrigo Q. C. Lima; Geber Ramalho
    VIII SBCM 2001, Fortaleza
  54. 2001Da Cifra para o Braço: Estudo dos Problemas de Execução Musical em Violão e Guitarra
    Giordano Cabral; Izabel Zanforlin; Hugo Santana; Rodrigo Q. C. Lima; Geber Ramalho
    VIII SBCM 2001, Fortaleza
  55. 2001Modelagem da Execução Musical em Violão e Guitarra
    Giordano Cabral; Izabel Zanforlin; Hugo Santana; Rodrigo Q. C. Lima; Geber Ramalho
    ENIA 2001 (National Meeting on Artificial Intelligence), Fortaleza
  56. 2001D'Accord Guitar: an Innovative Guitar Performance System
    Giordano Cabral; Izabel Santana (Zanforlin); Rodrigo Lima; Hugo Santana; Geber Ramalho
    JIM 2001 (Eighth Computer Music Days), Bourges · PDF

Book chapters (3)

  1. 2019Beyond the Fun (chapter subtitle not found in the sources)
    Yvonne Costa Carvalho; Giordano Ribeiro Eulalio Cabral; Veronica Teichrieb
    Handbook of Research on Immersive Digital Games in Educational Environments, IGI Global (Advances in Educational Technologies and Instructional Design series), ch. 14, pp. 374-404
  2. 2014Challenges in Designing New Interfaces for Musical Expression
    Rodrigo Medeiros; Filipe Calegario; Giordano Cabral; Geber Ramalho
    Lecture Notes in Computer Science 8518, Springer, pp. 643-652 (same item as HCI International 2014 — Lattes lists it in both categories)
  3. 2006Recognizing Chords with EDS: Part One
    Giordano Cabral; François Pachet; Jean-Pierre Briot
    LNCS 3902, Springer, pp. 185-195 (Crossref classifies it as book-chapter; already listed in tables 1 and 2)

Books and teaching materials (12)

  1. 2014Nós da Educação — Música (4º e 5º Ano)
    Cecília Cavalieri França; Giordano R. E. Cabral; Magali Kleber; Juciane Araldi Beltrame; Cleusa Cacione; Vania Malagutti Fialho
    Editora Ática, São Paulo, 1st ed., vol. 1, 98 pp.
  2. 2013Anais do 14º Simpósio Brasileiro de Computação Musical (SBCM 2013)
    Edílson Ferneda; Fernando Cruz; Giordano Cabral; Damián Keller (eds.)
    Sociedade Brasileira de Computação, 14th ed.
  3. 2012Turma do Som — Livro 1
    Cecília Cavalieri França; Giordano R. E. Cabral (eds.)
    Daccord Music Software SA, Recife, 1st ed., vol. 1, 38 pp.
  4. 2012Turma do Som (Manual do Professor)
    Cecília Cavalieri França; Giordano Cabral (eds.)
    Daccord Music Software SA, Recife, 1st ed., vol. 1, 120 pp.
  5. 2012Histórias de um Menino (book; literary, non-academic work)
    Giordano R. E. Cabral
    not found
  6. 2011Curso de Criação Musical — Livro do Professor; Livro do Aluno (2 volumes)
    Erika Pessoa Araujo; Evandro Natividade; Giordano R. E. Cabral (eds.)
    Daccord Music Software SA, Recife, 1st ed., 32 pp. each
  7. 2011Curso de Flauta Doce — Livro do Professor; Livro do Aluno (2 volumes)
    Erika Pessoa Araujo; Evandro Natividade; Giordano R. E. Cabral (eds.)
    Daccord Music Software SA, Recife, 1st ed., 32 pp. each
  8. 2011Curso de Teclado — Livro do Professor; Livro do Aluno (2 volumes)
    Erika Pessoa Araujo; Giordano R. E. Cabral; Anuacy Fontes (eds.)
    Daccord Music Software SA, Recife, 32 pp. each
  9. 2011Curso de Violão — Livro do Professor; Livro do Aluno (2 volumes)
    Erika Pessoa Araujo; Evandro Natividade; Giordano R. E. Cabral (eds.)
    Daccord Music Software SA, Recife, 32 pp. each
  10. 2011Ebook and CD versions of each course above (Criação Musical, Flauta Doce, Teclado, Violão × student/teacher × ebook/CD) — *16 entries* in Lattes
    Erika Pessoa Araujo; Evandro Natividade / Anuacy Fontes; Giordano R. E. Cabral (eds.)
    Daccord Music Software SA, Recife, 1st ed., 32 pp.
  11. 2009Proceedings of the 12th Brazilian Symposium on Computer Music (SBCM 2009), on-line + CD-ROM
    Marcelo S. Pimenta; Damián Keller; Regis Rossi Faria; Marcelo Queiroz; Geber Ramalho; Giordano R. E. Cabral (eds.)
    SBC, São Paulo, vol. 1, 1st ed.; ISSN recorded in Lattes as "2175-675" (incomplete; the ISSN for SBCM is 2175-6759)
  12. 2003Antologia de Poetas Brasileiros Contemporâneos nº 2 (literary work)
    Giordano Cabral (contributor)
    BR Letras

Theses and dissertations (3)

  1. 2008Harmonisation automatique en temps réel (English title on theses.fr: "Realtime auromatic harmonization" [sic])
    Giordano Ribeiro Eulalio Cabral
    Doctoral thesis in Computer Science, Telecommunications and Electronics — Université Pierre et Marie Curie (Paris 6) / LIP6, SMA team. Supervisors: Jean-Pierre Briot and François Pachet. Defense: July 9, 2008. Committee: Briot (co-supervisor), Myriam Desainte-Catherine (reviewer), Sergi Jordà (reviewer), Pachet (co-supervisor), Jean-François Perrot (examiner), Geber Ramalho (examiner). NNT 2008PA066236. CAPES scholarship (Lattes: 2003-2008).
  2. 2002D'Accord Guitar: um Sistema de Execução Violonística
    Giordano Ribeiro Eulalio Cabral
    Master's dissertation in Computer Science — CIn/UFPE (2000-2002). Supervisor: Geber Lisboa Ramalho. CNPq scholarship.
  3. 1999Bachelor's degree in Computer Science, UFPE (1994-1999), CNPq scholarship recipient — undergraduate thesis not recorded
    Giordano Ribeiro Eulalio Cabral
    —

Other: preprints, interviews, reports (15)

  1. 2024L'IA au Brésil : Stratégies, défis et opportunités dans un marché émergent
    Jean-Pierre Briot; Giordano Cabral
    ActuIA (general-audience magazine), July 16, 2024
  2. 2024Innovations et défis de l'intelligence artificielle au Brésil : Un entretien exclusif avec Fabio Cozman et Giordano Cabral
    Jean-Pierre Briot; Fabio Cozman; Giordano Cabral; Thomas Calvi
    ActuIA (interview), July 2024 · PDF
  3. 2024L'Intelligence Artificielle au Brésil / AI in Brazil
    Jean-Pierre Briot; Giordano Cabral; Fabio Cozman
    document (docType "UNDEFINED" on HAL), April 13, 2024 · PDF
  4. 2023Foreword to "O futuro das organizações pela perspectiva Design-Driven"
    Giordano R. E. Cabral; P. Alcântara; H. Mabuse; C. Zatorre; L. Mari
    Book foreword, Rio de Janeiro
  5. 2021Batebit Controller: Popularizing Digital Musical Instruments Development Process
    Filipe Calegario; João Tragtenberg; Giordano Cabral; Geber Ramalho
    arXiv preprint 2104.13266 [cs.HC] (April 27, 2021; "2 pages, 2 figures, 17th Brazilian Symposium on Computer Music") — version of the SBCM 2019 abstract · PDF
  6. 2019DMX (roundtable); HSM Expo (interview)
    Giordano Cabral
    Radio/TV program
  7. 2017Gamificação na Educação (Gamification in Education) (2017); ProfLab — Game Design Thinking (2018); ProfLab (Teacher Training) (2019); Game Design Thinking para Educadores (Game Design Thinking for Educators) (2019)
    Giordano R. E. Cabral
    Short courses and training programs
  8. 2016IoT — Uma Estratégia para o Brasil
    E. Peixoto; F. Urquiza; Geber Ramalho; T. Barros; F. Saboya; G. Calheiros; C. Marinho; P. Kronstrom; C. Marcon; E. Pellanda; F. Hessel; R. Prikladnicki; C. França; D. Vargas; E. Magrani; J. C. Cavalcanti; Giordano R. E. Cabral; K. Gama; M. Maciel; S. Soares; et al.
    Presentation (sector study; Lattes does not identify the commissioning organization)
  9. 2015Levadas Pernambucanas — Impressões Duplamente Digitais da Tradição Musical de Pernambuco
    Giordano R. E. Cabral
    Cultural project
  10. 2010Tendências Tecnológicas e Impactos na Indústria Musical
    Giordano R. E. Cabral
    Talk (work presentation)
  11. 2010Como Fazer, Distribuir e Comercializar Música com as Novas Mídias Interativas (2010); Educação Musical com Tecnologia (2011)
    Giordano R. E. Cabral
    Short courses taught
  12. 201027 educational animated videos for Turma do Som (2010: Bem Vindo ao Clube da Música; Sons por Todo Lado; Que Som É Esse?; Ai Meu Ouvido!; Viajando na Maria Fumaça — 2011: Salve Sua Pele; Mundo Afora; Meu Carango; O Passo; O Que Cabe Numa Tuba; Pão de Açúcar; No Ritmo do Samurai — 2012: Ó; Uma Escala; Notas Viram Melodias; Melodias Viram Frases; Variando o Visual; Brincando de DJ; O Compositor a Sala Secreta; Nosso CD)
    Giordano R. E. Cabral; Cecília Cavalieri França; Waldcelma Silveira; Renan Lima; Francisco Spencer / Frank Urben
    Teaching material (animated video)
  13. 2009Tutorial "Computação Musical e Video Games"; Music Education Software; iPhone, iPod, iWhatElse; A computação musical torna-se portátil; O Que É Inovação?; Computação para Interação Musical; Panel discussion at Festival Continuum (with H. D. Mabuse)
    Giordano R. E. Cabral
    7 talks/seminars listed on Lattes
  14. 2007Some Case Studies in Automatic Descriptor Extraction
    Giordano Cabral; Jean-Pierre Briot; François Pachet; Pierre Roy; Luiz Velho; Sérgio Krakowski
    Technical report, Rio de Janeiro (institution not recorded; coauthors from IMPA)
  15. 2007Technical committee member: 11th SBCM (2007), 12th SBCM (2009), ICMC 2010
    Giordano R. E. Cabral
    Committee participation

Software and products on Lattes (97 entries, grouped here into 37 families)

  1. 2020Joy Street Giordano R. E. Cabral
  2. 2020Ritmaker Giordano R. E. Cabral
  3. 2020MAP — Music Alignment Platform Giordano R. E. Cabral
  4. 2019iChords Giordano Cabral
  5. 2019Beatify Rodrigo Pereira; Giordano Cabral; Eduardo Santos
  6. 2018Leet Tech Giordano Cabral
  7. 2018Star Mines Guilherme R. E. Cabral; Giordano R. E. Cabral
  8. 2018VioLED Giordano Cabral; Eduardo Santos Silva; Filipe Calegario; João Tragtenberg; Rodrigo Pereira
  9. 2017Slingshot Challenge Guilherme R. E. Cabral; Giordano R. E. Cabral
  10. 2017Brazyle François Pachet; Giordano Cabral
  11. 2013Leitor Digital de eBooks Giordano R. E. Cabral
  12. 2013Mini Jogos (Jogo do Pirata, Café Piano, Só Letra) Giordano R. E. Cabral
  13. 2013Audio Alerta (private security) Giordano R. E. Cabral; Márcio Dahia; Roberto Cássio Júnior; Ivo Frazão
  14. 2012Audio Alerta Giordano R. E. Cabral; Márcio Dahia; Roberto Cássio Júnior; Ivo Frazão; Raphael Holanda
  15. 2012Portal Turma do Som; Corda Bamba; O Passo; Caça Fantasmas; Memo Lab; Trilho Sonoro (Ascendente e Descendente); Cantando Flores e Cores; Corrida das Notas; Ponte Sonora; Memória; Lava jato; Toque com a Gente (Meu Rap tem que ser Happy); Trilho Sonoro (DJ Mix) Giordano R. E. Cabral; Cecília Cavalieri França; Waldcelma Silveira; Renan Lima; Fabio Florencio
  16. 2012Rock in Rio Burn Game (iOS and Facebook); Fijit Friends; MXP4 Racer Giordano R. E. Cabral; Filipe Manga
  17. 2012Drums Challenge versão Especial; Saiba+ ENEM Giordano R. E. Cabral; Renan Lima
  18. 2012Rede Tria Giordano R. E. Cabral
  19. 2011Rota Certa (Timbres; Estilos; Graves e Agudos); Trilho Sonoro (Poema; Meu Carango; Onomatopeias); Toque com a Gente (Maria Fumaça; Meu Carango; O Menino Toca Choro); Resgate; Banana Ninja; Quebra Cabeças; Sala Secreta Giordano R. E. Cabral; Cecília Cavalieri França; Waldcelma Silveira; Renan Lima; Fabio Florencio
  20. 2011iChords Station Giordano R. E. Cabral; Leocádio Tiné
  21. 2011On Rock Giordano R. E. Cabral; Fabio Florencio; Leocádio Tiné; Filipe Manga
  22. 2011DJ Nights Eurodance; DJ Nights Robbie Rivera Giordano R. E. Cabral; Rodrigo Pereira
  23. 2011Drums Challenge for Nokia Phones Giordano R. E. Cabral; Renan Lima
  24. 2011Série de eBooks de Música Giordano R. E. Cabral
  25. 2010MusiGames Drums Challenge Charlie Morgan; MusiGame PaperBoat Race; MusiGames DJ Nights DWA; MusiGames iMusic Puzzle Giordano R. E. Cabral
  26. 2010Toque com a Gente (Tema); Som Por Todo Lado; Trilho Sonoro; Trilho Sonoro (Cidade); Ecoluthier; Cadê o Som Giordano R. E. Cabral; Cecília Cavalieri França; Waldcelma Silveira; Renan Lima; Fabio Florencio
  27. 2010Drums Challenge for iPad Giordano R. E. Cabral; Renan Lima; Dante Araújo
  28. 2009MusiGames Product Line (9 products); Daccord Flauta Player; Curso de Guitarra Daccord; DAccord Keyboard Method; MusiGames LEDS; MusiGames Drums Challenge; MusiGames THROAT Detonator; Audio API Engine; MusiGames MixBox; MusiGames DJ Nights Global Edition; MusiGames DJ Nights Julie Thompson; DJ Nights (Wii); VJ Nights Giordano R. E. Cabral
  29. 2009Riot Up Giordano R. E. Cabral; Leocádio Tiné; Rodrigo Pereira
  30. 2008Ramin, um Sistema de Harmonização em Tempo Real (system developed for the thesis); Curso de Teclado Daccord; Daccord iChords; MusiGames WebDrums Giordano R. E. Cabral
  31. 2007Daccord Keyboard Player; Daccord Guitar Method Giordano R. E. Cabral
  32. 2006Daccord Personal Guitarist; Daccord Violao Master; Daccord Drums Player; Daccord Teclado Player; Daccord Free Clef Giordano R. E. Cabral
  33. 2005DAccord Bateria Player; DAccord Easy Tuner; Daccord Dicionario de Teclado; Daccord Partitura; Curso de Violao Daccord Giordano R. E. Cabral
  34. 2004DAccord Afinador Virtual Giordano R. E. Cabral
  35. 2003Daccord Dicionario de Violao e Guitarra Giordano R. E. Cabral
  36. 2001D'Accord Violão Player Giordano R. E. Cabral; Izabel Zanforlin; Rodrigo Q. C. Lima; Hugo Santana
  37. 2000D'Accord Product Line (16 products) Giordano R. E. Cabral

Discrepancies between databases (years, author order) were resolved in favor of the record with a DOI. Corrections are welcome.

Frequently asked questions

How many publications does Giordano Cabral have?

82 works spanning journal articles, conference papers, chapters, and books, plus 97 software and product entries in Lattes. Each entry includes the authors, publication venue, year, and, where available, the DOI.

What is Giordano Cabral's doctoral thesis?

Harmonisation automatique en temps réel, defended on July 9, 2008 at Université Pierre et Marie Curie (Paris 6) / LIP6, under the supervision of Jean-Pierre Briot and François Pachet, with the distinction très honorable.

Where can I find the full texts?

The title links to the text whenever it is publicly available. The external profiles are Lattes, ORCID, Google Scholar, DBLP and ResearchGate.